“Ewan was fantastic to work with, creating imaginative and beautifully crafted arrangements that sounded great. Not only did he do a superb job, but he also delivered the score and parts to us within a very tight timeframe. I wouldn’t hesitate to commission Ewan again.”

—Gretchen La Roche, CEO Christchurch Symphony Orchestra

Ewan is the consummate, and generous, professional, producing outstanding music that not only encompassed great beauty but also enhanced the film's pacing, ambience and character development. Ewan has greatly deserved all the awards and recognition he has received from overseas festivals and I look forward to working with him on many future film projects!

—Alex Galvin, director of The Turn of the Screw

“Both times I’ve had the good fortune to work with Ewan, he’s immediately grasped what I hoped to get and given me back far more than I had hoped for. A pleasure to work with and a thrill to listen to.”

— Jonathan King, director of An Arm and a Leg and The Inkberg Enigma (trailer)

"Ewan is an incredible composer, orchestrator, arranger and conductor. Like...ferociously good. It was a pleasure to watch (and listen) to his work!" 

— Stephen Gallagher, composer for Hippocratic

"Ewan is absolutely professional, dedicated and amazingly talented. Best of all, he was deeply interested and involved in the story so he hit all the right beats!" 

— Ben Childs, director of Birdsong and The Space Trash Men

“Ewan is an incredibly hardworking, talented and collaborative composer. He was very intuitive when it came to realising the director's vision, and worked solidly with us to bring the score to the next level, recording it with a professional orchestra. Ewan is a pleasure to work with and I would recommend him to any filmmaker.”

— Thomas Coppell, producer of Shmeat and Post Production Manager of Doubt: The Scott Watson Case

"Ewan is a director's delight. Despite the distance between us, he manages to conjure up refreshing and apt music for my documentaries."

— Shekar Dattatri, director of SOS: Save Our Sholas, The Truth About Tigers, and Chilika: Jewel of Odisha

“Ewan is not only a very talented composer in his own right, but also a brilliant orchestrator, arranger and conductor. I’ve been lucky enough to work with Ewan on some exciting and diverse soundtracks. His knowledge, professionalism and passion have been crucial to the completion of each project.”

— Rhian Sheehan, composer for We Are Stars and Back to the Moon: For Good; co-composer with Ewan for The World In Your Window

"Ewan Clark's film music is out of this world!" — Natasha Marburger, producer of Hotspot: Log in at Own Risk

“Ewan’s interpretation of a scene is spot on while taking into account what the director is looking for. I couldn’t ask for a better collaborator.” — Sebastian Barner-Rasmussen, director of Spoils

“Ewan is a valued collaborator. Working with large-scale Music Preparation for orchestra on our recent TV drama When We Go To War. his work was spot on. He is always generous with his knowledge and experience, and a great man to have around!” — Tom McLeod, composer for When We Go To War

"Ewan is a consummate professional who delivers top notch work - and has that rare quality of making it all seem effortless." — Carl Chetty, writer/director of Scapegoat

"I am certain that if an original score is required, Ewan will be the first composer I'll ask."  — Elsa Bauverd, director of Osmonde

“Ewan’s work added a new dimension to my film which heightened the story’s emotional impact and connection with the viewer.”  — Rory Leighton, director of A Son Rising

"Ewan's the most hardworking and versatile composer I've met. He offered one solution after another until I was completely satisfied."  — Nikka Lorak, director of The Outsider

"The process from concept to final recording was smooth and ideal, the best I could wish for as a director. Ewan brought to our film the balance required."  — James Cork, director of Kids Rule and A Boy’s Tale

"The emotional value of my film was significantly increased by Ewan's score. His exhaustive work ethic and infallible patience make him a pleasure to work with." — Nicole Perry, director of The Sunshine Girl

"Ewan can successfully underpin a film’s emotion with his music, without overpowering the story on screen." — Oliver McGuirk,  director of Internal

"Ewan's music helped our film to leap effortlessly between the various genres it parodied. A nice bloke too!"  — Adam Fresco,  director of Keep It Up!

"I had a wonderful experience working with Ewan. Every note matched the story I was trying to tell."  — Aston Garrat, director of Knock Three Times

"It was so easy to work with Ewan, sometimes I thought he could read my mind." — Vitor Vilela, director of Hotspot: Log in at Own Risk